The difference between ordinary and extraordinaryisthat little extra
Fine art paper.
Three papers, each chosen for a reason. All archival, OBA-free, 100% cotton — made to last for generations.
Platine Fibre Rag
310 gsm · 100% cotton · Satin
The digital benchmark for traditional darkroom paper. Combines 100% cotton rag with a microporous satin finish, delivering an exceptionally high Dmax, deep velvety blacks, and a pure white tone with zero optical brighteners.
Best for — Exhibition black-and-white photography, fine-art monochrome, and rich color prints.
Arches® 88
310 gsm · 100% cotton · Matte
A prestigious printmaking paper of 100% cotton, with an ultra-smooth surface and a soft, supple feel to the touch. Pure white and completely free of optical brighteners, delivering superb color, deep blacks, and natural whites.
Best for — Limited and open edition work for photographers, artists, and printmakers.
Arches® Aquarelle Rag
310 gsm · 100% cotton · Textured matte
Recognised by artists as one of the most prestigious watercolour papers, with a history that spans many centuries. 100% cotton, pure white and free of optical brighteners — with an even natural grain and a genuine felt-marked finish.
Best for — Fine-art prints that call for real watercolour texture — limited and open edition work.